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This song is known to have only been performed live on the Stronger tour. No known studio recording is known to exist." xAnyoneWhoHadAHeartStrongerTour_popupstats = "
Note that Aleksander Meek has used the stage name Alexander John in the past and had previously written several songs that Cliff recorded, including First Date (1982), Now You See Me, Now You Don't (1982) and Front Page (1983).
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\"More live recordings were done in June 1990 at the concert in aid of the Nordoff-Robbins Music Therapy Centre. Cliff was again reunited with the Shadows for a 45-minute set and, although broadcast live in its entirety on Radio One, only On The Beach and Do You Wanna Dance were used on Knebworth - The Album.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
" xOnTheBeachKnebworthJune301990_popupstats = "
\"More live recordings were done in June 1990 at the concert in aid of the Nordoff-Robbins Music Therapy Centre. Cliff was again reunited with the Shadows for a 45-minute set and, although broadcast live in its entirety on Radio One, only On The Beach and Do You Wanna Dance were used on Knebworth - The Album.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
" xDoYouWannaDanceKnebworthJune301990_popupstats = "
Calling this track a \"remix\" is a misnomer. It isn't really a remix, but a whole new vocal recording. It is not the same vocal take as the original 1979 release. It was originally released on the From A Distance ***** The Event album tracked between Some People and Shake, Rattle And Roll with audience noises mixed in at the beginning and end of the track, giving the impression that it was a live performance. The album liner notes state that it was remixed by Ian Curnow and Phil Harding, further giving the impression that it was the live performance that was remixed. However, the 2005 From A Distance *** The Event remaster CD uses the actual live performance of We Don't Talk Anymore and it is clearly not the same recording as the PWL mix. Also, given the clean sound on the PWL mix, it is obvious that it's a studio recording. Because it cannot be matched to any known recording, it is safe to assume that it is a whole new studio recording.
\"A series of remixes of We Don't Talk Anymore was carried out in July and August by Ian Curnow and Phil Harding at the PWL Studios. Several different versions were produced including a 7-inch, 12-inch and a master mix as well as a PA version, which is likely to have been the one used during the From A Distance tour. It is unknown to what extent Cliff was involved in the remixing and, as a number of remixes were completed, it is difficult to identify with any certainty which mixes have been released.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
Editor's note: The above implies that this was a remix of the original 1979 version of We Don't Talk Anymore. That is incorrect. Comparing the vocal tracks of the songs, clearly they are two different vocal takes. Also, no evidence of a \"master mix\" or a \"PA version\" exists.
" xWeDontTalkAnymorePWLMix_popupstats = "
This is the same version that appeared on the original From A Distance ***** The Event album, but without the audience cheering noises mixed in at the song's beginning.
\"A series of remixes of We Don't Talk Anymore was carried out in July and August by Ian Curnow and Phil Harding at the PWL Studios. Several different versions were produced including a 7-inch, 12-inch and a master mix as well as a PA version, which is likely to have been the one used during the From A Distance tour. It is unknown to what extent Cliff was involved in the remixing and, as a number of remixes were completed, it is difficult to identify with any certainty which mixes have been released.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
Editor's note: The above implies that this was a remix of the original 1979 version of We Don't Talk Anymore. That is incorrect. Comparing the vocal tracks of the songs, clearly they are two different vocal takes. Also, no evidence of a \"master mix\" or a \"PA version\" exists.
" xWeDontTalkAnymorePWL7Remix_popupstats = "
This remix simply adds a lot of drum beat and vocal looping effects to the beginning of the PWL 7\" remix version and cuts much of the repeated chorus at the end of the song for more of the drum beat and vocal looping effects before ending with a crowd cheering noise.
\"A series of remixes of We Don't Talk Anymore was carried out in July and August by Ian Curnow and Phil Harding at the PWL Studios. Several different versions were produced including a 7-inch, 12-inch and a master mix as well as a PA version, which is likely to have been the one used during the From A Distance tour. It is unknown to what extent Cliff was involved in the remixing and, as a number of remixes were completed, it is difficult to identify with any certainty which mixes have been released.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
Editor's note: The above implies that this was a remix of the original 1979 version of We Don't Talk Anymore. That is incorrect. Comparing the vocal tracks of the songs, clearly they are two different vocal takes. Also, no evidence of a \"master mix\" or a \"PA version\" exists.
" xWeDontTalkAnymorePWL12Remix_popupstats = "
This is an odd mixture, being a simple edit of the PWL 7\" and 12\" remixes. It starts with the same instrumentation and vocal looping effects from the 12\" remix, but cuts a lot of it before starting with the first verse and pretty much all of the 7\" remix. However, the ending does not end with the keyboard, drums and audience cheering from the 7\" mix, but instead goes back to the vocal bouncing effects from the 12\" remix and ends with that part instead. Despite the subtitle of \"Remix 1991\" on the The New Year single, it's simply an edit of the PWL mix and doesn't appear to be a new remix at all.
" xWeDontTalkAnymorePWLRemix1991_popupstats = "
This song is incorrectly titled on the The Winner and Yesterday Today Forever albums as There's More To Life.
\"The Simon May & Mike Read composition More To Life taken from the BBC TV drama series Trainer was selected for the first single release of 1991. It was also the first for ten months hitting the shops in September, and not stirring up much chart action by only reaching No.26. More sessions followed later that same month [June], this time at RG Jones when Cliff over three days cut the More To Life track that would be heard over the titles and credits of a new BBC-TV drama called Trainer. September 2 1991: Cliff's 107th solo single-- More To Life is released. Written by Simon May and Mike Read it is the theme song for the new ITV series Trainer. It reaches No. 21.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
\"More To Life, released in September 1991, was in fact one of the last vinyl singles of Cliff's to be released, and was the theme from the BBC television series of the same name.\"
Peter Lewry and Nigel Goodall (March 2007 - liner notes for Small Corners Remaster CD)
" xMoreToLife_popupstats = "
\"We Should Be Together was the follow-up Christmas single reaching No.10 on the charts, and although it had been tipped to repeat the success of the previous seasonal hits, it should be remembered that this was the year in which Freddie Mercury died, and after that dramatic event, Queen's Bohemian Rhapsody was the Christmas No. 1. We Should Be Together was released in various different formats, and probably the most exciting of these was The Christmas EP which featured two previously unreleased seasonal tracks from 1967. They were Twelve Days Of Christmas and The Holly And The Ivy. November 25 1991: Cliff's 108th solo single-- We Should Be Together is released.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
\"The tracks for Cliff's penultimate EP release, Carol Singers, were recorded without any musical backing or orchestral arrangements, and performed a cappella with the Mastersingers, a group of Christian music teachers. Of the eight tracks recorded in September 1967, only five would make it to the EP. However, both The Twelve Days Of Christmas and The Holly And The Ivy, included here, would finally find a release in 1991 when they appeared on a special edition EP that also featured We Should Be Together and Mistletoe And Wine.\"
Nigel Goodall & Peter Lewry (2008 - liner notes for Rare EP Tracks 1961 - 1991 album in the ...And They Said It Wouldn't Last! {My 50 Years In Music} set)
" xWeShouldBeTogether_popupstats = "
\"Now that's interesting. You've talked about two songs... We've talked about two or three songs today, Millennium Prayer [sic] and Christmas Never Comes-- same composers. Paul Field wrote Christmas Never Comes.\"
Cliff Richard (May 2000 - WGN Radio 720 Chicago interview)
" xChristmasNeverComes_popupstats = "
On the Together With Cliff Richard album's liner notes, this song is subtitled \"(Merry Christmas To You)\". However, the actual song title should not be subtitled like this. It is thought that EMI improperly added this subtitle to make it clear to buyer's which song this was.
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\"The last single of [1991]. This New Year almost went unnoticed by only reaching No.30.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
" xThisNewYear_popupstats = "
This version is edited from the Together With Cliff Richard album version, cutting everything from the second verse to the similar part (\"we're gonna make it work for a lifetime\") in the repeated chorus ending. It also fades a little earlier on the in keyboard and flute ending, cutting about half of it. It was supposedly edited only on the 7\" single because the 7\" was a special edition with the A and B sides on one side only, with the other side having an etched message from Cliff. Both songs could not fit on the one side so one of them was edited.
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This version does use the original take of the song, but it is mixed to be slightly slower in tempo, some guitar is added and/or replaced (most notably on the song's instrumental bridge) and the fade out is extended by about ten seconds.
" xHotShotMyKindaLifeVersion_popupstats = "
This version uses the original 1975 take of the song, but adds new GTRs over the existing backing track and the fade out is extended by an additional 15 seconds.
" xDevilWomanMyKindaLifeVersion_popupstats = "
This is a French language version of When Two Worlds Drift Apart. This version uses the piano, strings and backing VCL from the 1975 version, but adds some additional acoustic GTR, keyboards and most notably, new French language lyrics by Cliff.
\"The next RG Jones sessions took place in February when Cliff re-recorded new VCL for Carrie and French lyrics for When Two Worlds Drift Apart [which was then retitled as Remember]. November 23 1992: Cliff's new single I Still Believe In You [is] released. The CD includes Ocean Deep and the French adaptation of When Two Worlds Drift Apart (Remember).\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
" xRemember_popupstats = "
Although this version uses the original backing track, it is a completely new vocal take and adds additional GTRs, most notable on the chorus where the GTRs are must louder and stronger in the mix. The fade out is extended by about ten seconds and has additional VCL by Cliff over the fade out.
\"The next RG Jones sessions took place in February when Cliff re-recorded new VCL for Carrie and French lyrics for When Two Worlds Drift Apart [which was then retitled as Remember].\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
" xCarrieMyKindaLifeVersion_popupstats = "
This version appears to be an edit of the 1989 Stronger version and does not have added keyboard and GTRs like on the rest of the My Kinda Life album. This new edit cuts the four melody riffs of the intro down to three melody riffs and adds the backing vocals from the chorus over the second and third parts of this riff. It also completely cuts the second verse and the GTR solo after the first chorus. Finally, this version fades about five seconds earlier than its Stronger counterpart." xLeanOnYouMyKindaLifeVersion_popupstats = "
This is the same backing and vocal take as the 1979 Rock 'N' Roll Juvenile version, but it has added/replaced GTR and the fade out is extended for about five additional seconds.
" xMondayThruFridayMyKindaLifeVersion_popupstats = "
This version is the same backing track and vocal take as the 1983 original, but it has added guitars and keyboards throughout the song, as well as a few vocal echoes added to Cliff's voice.
" xLucilleMyKindaLifeVersion_popupstats = "
This version is the same take and backing track as the 1976 version, but adds a bit of additional percussion and keyboard. The vocal mix was edited a bit because in a few places, some lines have been moved a beat or two earlier or later, most notably at the beginning of the second chorus. It also fades about five seconds earlier.
" xYouGotMeWonderingMyKindaLifeVersion_popupstats = "
This version uses the VCL and backing track from the original 1978 take, but it sounds vastly different because much of the keyboard, GTRs and percussion are replaced, giving it a funkier and more rock sound. It fades about 15 seconds earlier than its 1978 take, but over the repeated chorus ending, there are several vocal lines added by Cliff that are not present on the original version.
" xNeverEvenThoughtMyKindaLifeVersion_popupstats = "
This version of Language Of Love is the same vocal take and most instrumentation as the 1979original, but it has added drums, percussion, keyboard and GTR throughout the song. It also cuts some of the repeated chorus at the end of the song, causing the fade out to occur about 15 seconds earlier.
" xLanguageOfLoveMyKindaLifeVersion_popupstats = "
This version is the same take as the 1976 original, but new GTRs have been added to give the song a vastly different sound. Whereas the original had a country sound to it, this new version has much harder, crunchier sounding GTRs, giving it more of a rock sound. Much of the older GTRs have been removed completely to be replaced by the new ones. This version also fades about 10 seconds earlier.
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What is known about this song is from The Complete Chronicles, which seems to imply that the song was supposed to be recorded in July 1992, but it was not. Therefore it's not entirely clear if Cliff ever recorded it or not.
\"Plans were made to follow these [Cliff Richard The Album] sessions in July [1992] for the recording of This Is Our Country, a song written by Chris Eaton and scheduled for release as a single to commemorate the fortieth anniversary of the Queen's reign.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
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\"March 15 1993: Cliff's new single-- Peace In Our Time-- is released. The CD single also includes That's Alright Mama and Living Doll both recorded during the Access All Areas Tour. The single eventually reaches the number 8 spot.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
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\"March 15 1993: Cliff's new single-- Peace In Our Time-- is released. The CD single also includes That's Alright Mama and Living Doll both recorded during the Access All Areas Tour. The single eventually reaches the number 8 spot.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
" xLivingDollAccessAllAreasTour1992_popupstats = "
\"Only ever recorded in concert, the Judy Mackenzie song Free featured just Cliff accompanied by Paul Moessl on keyboards, and was another track that would only find a release as an additional track on a single.\"
Nigel Goodall & Peter Lewry (2008 - liner notes for faith and inspiration album in the ...And They Said It Wouldn't Last! {My 50 Years In Music} set)
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This version, from the faith and inspiration CD in the ...And They Said It Wouldn't Last! {My 50 Years In Music} set edits off the spoken word intro and starts immediately with the first guitar note and Cliff's singing of \"free!\"
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Here is a passable attempt at the lyrics to this unreleased song:
There's a man on my TV
He is dignified and true
He gives me information
And he tell me what to do
When I need a companion
And I've enemies inside
He is my inspiration
He's my conscience and my guideOh, I'm in love with my television
I'm in love with my TV
I would say she's my new religion
I need her like she needs me
There's a man in my bedroom
In a loud and tasteless tie
He shows me how to buy things
And he tells me what to buy
[Well they're] waiting in programme
No intelligence to find
No need to move a muscle of my body or my mind
Oh, I'm in love with my television
I'm in love with my TV
I would say she's my new religion
I need her like she needs me
I give her my life I knew before
I can turn on with my own remote
She is my love, my teacher, my hope say I got a fix from my TV show
My baby's got stereo sound
Got 99 channels and their all for me
The news and the ruckus all passed around
My baby got FSC
There's a man in my bedroom
Got a shotgun in his hand
He shots me all he wants to but I linger and stand
Oh, I'm in love with my television
I'm in love with my TV
I would say she's my new religion
I need her like she needs me yeah
I'm in love with my television
I'm in love with my TV
I would say she's my new religion
I need her like she needs me
I love my TV
" xImInLoveWithMyTVAnEveningWithCliffRichardTour_popupstats = "
Peace In Our Time is an Olympics themed song. The original version of Peace In Our Time was recorded by Jennifer Holliday for the 1988 Summer Olympics Album. Listen to the lyrics and note all the references to the Olympics in there, e.g. \"twisting turning flame\" and \"all of the games of the yellow, black and white\" and more.
\"March 1993 saw the release of Peace In Our Time which reached a high of No. 8 in the charts... March 15 1993: Cliff's new single-- Peace In Our Time-- is released. The CD single also includes That's Alright Mama and Living Doll both recorded during the Access All Areas Tour. The single eventually reaches the number 8 spot.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
" xPeaceInOurTime_popupstats = "
\"In 1992 only one single was released, I Still Believe In You which sailed into the charts to peak at No.6. November 3 1992: [Cliff] shoots a video for I Still Believe In You. November 23 1992: Cliff's new single I Still Believe In You [is] released. The CD includes Ocean Deep and the French adaptation of When Two Worlds Drift Apart (Remember).\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
" xIStillBelieveInYou_popupstats = "
\"June 1 1993: The single Human Work Of Art is released.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
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\"September 20 1993: The single Never Let Go is released. September 28 1993: Video shoot for Never Let Go at Black Island Studios in London.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
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\"July 6 1993: The track Healing Love is re-mixed slightly at Abbey Road Studios. December 6 1993: The single Healing Love is released.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
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\"There's No Power In Pity, written by Cliff during a Tearfund visit to Uganda, was released just over a year later, and was an additional track on the two-part CD single, I Still Believe In You.\"
Peter Lewry and Nigel Goodall (March 2007 - liner notes for Small Corners Remaster CD)
\"Since 1968, Cliff has been heavily involved with the Christian relief and development agency, Tearfund, and visited many of its Third World projects. It was during one such visit, to Uganda, that he wrote There's No Power In Pity. Released as an additional track on a two-part CD single, the track was produced by Paul Moessl and Cliff.\"
Nigel Goodall & Peter Lewry (2008 - liner notes for faith and inspiration album in the ...And They Said It Wouldn't Last! {My 50 Years In Music} set)
" xTheresNoPowerInPity_popupstats = "
This version differs from the Cliff Richard - The Album album version in that it cuts much of the percussion and keyboards from the intro and first verse and adds some new keyboard over the first verse. It also completely cuts the vocal bridge between the third and fourth choruses and fades early, only playing the first half of the fifth chorus. It also includes a nice, full string arrangement.
" xPeaceInOurTime7Remix_popupstats = "
This version differs from the Cliff Richard - The Album album version in that it cuts the drums and GTR from the entire track, including the GTR solo bridge section, which is simply a long keyboard backing piece. It also adds a repeat of the third chorus between the vocal bridge and the fourth chorus. And finally, it fades during the first half of the fifth chorus.
\"The third bonus track, a gospel mix of Peace In Our Time is probably the most interesting of all as it was only available on the two-part CD of the single from Cliff's #1 album, The Album in 1993. It is completely different to any other version of the song.\"
Peter Lewry and Nigel Goodall (March 2007 - liner notes for Small Corners Remaster CD)
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Curiously, although this is an instrumental track for Peace In Our Time, it is not the backing track for any of the released versions, but an altogether unique version. It sounds like an alternate extended dance mix version, as it's got steady, synthesized drums like a dance single, but it has no Cliff VCL whatsoever and none of the choir backing VCL.
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This version, only available on a promo CD single called Peace In Our Time (Cliff's TV Edit) (EMI CDEMDJ 265) is the full album version but cuts out a full 1:36 from the last half of the song.
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This version is the same as the 7\" remix version, but fades about 10 seconds earlier.
" xPeaceInOurTimeEdited50thAnniversaryAlbumVersion_popupstats = "
This version is the same as on the Cliff Richard - The Album album, but it fades earlier, beginning at the second half of the fourth chorus and ending halfway through the fifth chorus. What makes it quite fascinating is that the half heard fifth chorus is a different take than the album version, containing slightly different VCL and full instrumentation.
" xHumanWorkOfArt7Version_popupstats = "
\"Thirty years - who would have thought it! After all the decades that have flashed by, it's wonderful that we're still singing, and making and breaking records! Strangely enough, although we've sung many duets over the years, they've been mostly for TV and, until now, we've never had the chance to actually record together. So thank you for making another 'first' possible, and for inviting me to guest on your brand new album. May I wish you all the very best for success - and all the best for everything you do. You are the best!\"
Cliff Richard (1993 - liner notes for Through The Years album)
" xThatsWhatFriendsAreFor_popupstats = "
Cliff does the launch countdown vocals on this song.
" xSpaceOddity_popupstats = "
Cliff does backing vocals on this song.
" xIWillAlwaysLoveYou_popupstats = "
\"June 1993 saw Cliff duetting in the studio with country legend Tammy Wynette on This Love as part of Tammy's 25th Anniversary album... June 28 1993: Cliff meets with Tammy Wynette at his home before recording part of their duet This Love at R.G. Jones Studio. The track is to be part of an album project to commemorate Tammy's 25th anniversary in the business, with her duetting with various singers. The album is to be released in the states late in 1994 with This Love scheduled to be a UK release for 1995. Tammy commented, 'Recoding with Cliff was a breathtaking experience. Cliff is truly one of the greatest voices I have ever heard and include the memory of that day as one of the highlights of my 28-year career.' June 30 1993: Cliff and Tammy Wynette record at R.G. Jones. This session included Tammy's vocal. July 1 1993: Backing VCL and saxophone for This Love are recorded at R.G. Jones.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
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This is a remix of various 1960s songs by Cliff, including the songs Do You Wanna Dance, Congratulations, Power To All Our Friends, In The Country, Move It, On The Beach, Gee Whizz It's You and I Could Easily Fall (In Love With You). It was remixed by Steve Moore and created to celebrate and promote the release of The Hit List compilation.
" xPartyMegamix_popupstats = "
\"January 10 1995: Cliff records We Being Many with Helen Shapiro at R G Jones.\"
Mike Read, Nigel Goodall & Peter Lewry (1995 - The Complete Chronicle)
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The single lists the song as Misunderstood Man, but the Songs From Heathcliff album lists it as A Misunderstood Man (with the \"a\" article). Although probably both forms are acceptable, all other releases have it as Misunderstood Man.
" xMisunderstoodMan_popupstats = "
\"Vocally part was a major challenge for Olivia, especially when a promotional clip for the duo's first single, Had To Be was filmed: 'Cathy is not the nicest of people,' says Olivia. 'Although she loves Heathcliff, she decides to marry someone wealthy and with social standing. Giving up her love for Heathcliff and leaving him in his torment for the rest of his living days. [sic] She is strong but full of anger and resentment. Understanding that background gives me an edge in my performance.' Both Cliff and Olivia decided not to discuss characterisation prior to recording or filming their segments to give the tracks a touch of mystery both to each other and the listener. Had To Be was issued on single by EMI Records in November, [and], following an appearance on The Royal Variety Performance on November 25th, for which Olivia flew into London especially to make an guest appearance, stormed straight into the British singles chart at number twenty-two. Music pundits had the single tipped to be the year's Christmas number one, but over-estimated, when the following week it disappeared from the top forty.\"
Darren Mason (1999 - Olivia: One Woman's Journey)
" xHadToBe_popupstats = "
\"You know, [John Farrar] got stuff out of me for that album [Songs From Heathcliff]-- I mean I love-- Can you imagine, I never thought I'd sing a song like I Do Not Love You Isabella. Most of the songs thgat I sing are all about positive love or losing love or wishing that love would come back. Even on stage, I love doing that. I have to say it was a great song to sing on stage. To actually go 'I do not love you Isabella' was quite unusual and very exhilarating.\"
Cliff Richard (February 18, 2005 - WGN Radio 720 Chicago interview)
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This version is the same as the Songs From Heathcliff album version, but it cuts several parts. First, it cuts part of the keyboard intro before the drums begin and most of the piano on the intro before the singing begins. It also cuts the whole second half of the instrumental bridge and the last few beats before the song's finale part.
" xMisunderstoodManEdit_popupstats = "
Although the single where this song appears lists it as The Wedding, it's actually the song I Do Not Love You Isabella (Heathcliff's Wedding Song). Curiously, it is exactly the same backing track and Cliff vocals from the Songs From Heathcliff album, but all of Olivia Newton-John and Kristina Nichols' have been edited out and new vocals from Helen Hobson (with some different lyrics) have been inserted.
\"This is, of course, the first single I have ever made, and the recording was the first time I worked with Cliff. Such a double first had to be included [on the Hobson's Choice album]!\"
Helen Hobson (1996 - Hobson's Choice album liner notes)
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This is an edit of Gypsy Bundle, available only on a promo cassette given out by Tower Records to promote the July 22nd, 1996 appearance in-store of Cliff. It is simply the first 1:36 of the song as it appeared on the Songs From Heathcliff album with an early fade.
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This is an edit of Dream Tomorrow, available only on a promo cassette given out by Tower Records to promote the July 22nd, 1996 appearance in-store of Cliff. It is simply the first 2:31 of the song as it appeared on the Songs From Heathcliff album with an early fade.
" xDreamTomorrowEditedPromoVersion_popupstats = "
This is a performance at the Sheffield Arena in December 1994, where Cliff previewed and possibly debuted several of the Heathcliff songs, including Misunderstood Man, Had To Be and Sleep Of The Good.
" xHadToBeLiveSingleVersion_popupstats = "
This is a performance at the Sheffield Arena in December 1994, where Cliff previewed and possibly debuted several of the Heathcliff songs, including Misunderstood Man, Had To Be and Sleep Of The Good.
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This song is the first recorded appearance of the newly written, second verse for Move It. For a detailed account of the writing of the second verse for Move It and Schoolboy Crush, read Ian Ralph Samwell's unfinished biography at The Saga of the Second Verse
\"I thank Cliff for his enthusiastic contribution, particularly on Move It (and how about Ian Samwell the composer of this great rock song, writing the second verse thirty seven years after it was first recorded).\"
Hank Marvin (1995 - liner notes on Hank Plays Cliff album)
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\"As I write this, I am to start rehearsing with Cliff on the new musical Heathcliff. I am so grateful to him for recording this duet from Camelot with me, in a new arrangement by Paul Bateman.\"
Helen Hobson (1996 - Hobson's Choice album liner notes)
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This a GTR piece that is a variation on Misunderstood Man.
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\"The last three tracks on this disc, Misunderstood Man, Be With Me Always and Had To Be come from the Heathcliff - Live [sic] album released in December 1996. Despite the same tracks being available on the studio album Songs From Heathcliff, released two years before, the live recordings of the show are far more fitting to Cliff's most talked about and critically applauded theatre musical of the 1990s.\"
Nigel Goodall & Peter Lewry (2008 - liner notes for Stage And Screen album in the ...And They Said It Wouldn't Last! {My 50 Years In Music} set)
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This is both spoken word and part of a melody that is a variation on Be With Me Always sung by Helen Hobson.
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This is an instrumental piece, with only a small amount of choir VCL.
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Cliff Richard only has a few backing vocal lines in the last few choruses of this song.
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\"The last three tracks on this disc, Misunderstood Man, Be With Me Always and Had To Be come from the Heathcliff - Live [sic] album released in December 1996. Despite the same tracks being available on the studio album Songs From Heathcliff, released two years before, the live recordings of the show are far more fitting to Cliff's most talked about and critically applauded theatre musical of the 1990s.\"
Nigel Goodall & Peter Lewry (2008 - liner notes for Stage And Screen album in the ...And They Said It Wouldn't Last! {My 50 Years In Music} set)
" xHadToBeLive_popupstats = "