This section only examines the recording techniques that Cliff used in his early career using one- and two-track machines. It does not review the mono or stereo releases except for how they provide information on how Cliff recorded his music. All information provided here is based upon the Peter Lewry and Nigel Goodall books The Complete Recordings Sessions and The Complete Chronicles as well as observations of Cliff's released recordings.
| Terms and Definitions |
|---|
|
In a nutshell, at the beginning of Cliff's career he was recording exclusively on one-track recording machines for songs intended for single release and simultaneously on one-track and two-track recorders (separate machines) for the songs intended for LP or EP release. In mid-1960, he switched to recording on two-track recorders only, regardless of the mono or stereo format on which the songs were intended to be released, and all mono versions were mixed separately from the two-track recordings. Of course, there are exceptions to the above statements which are detailed below. This section also does not address when and how Cliff began using multi-track machines beyond a simple two-track recorder, as that is difficult (if not impossible) to determine with the limited resources available. All of this has led to some interesting variations in Cliff's recordings beyond the simple mono and stereo variations-- variations such as alternate takes, alternate edits and alternate mixes.
The table below shows a graphical representation of recording techniques that Cliff used from July 1958 to July 1961, when the recording on multi-track machines appears to have stabilized as the standard technique.
| x | Recorded on one-track recorder only |
| x | Recorded simultaneously on both one-track and two-track recorders |
| x | Recorded on two-track recorder only |
| x | Recorded some songs on one-track recorder only and some on both one-track and two-track |
| x | No Recording done |
|
|
|
|
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In the very early days of Cliff's career, multi-track recording was still a relatively new technique. It was a more expensive process, calling on costly equipment and the expertise of skilled sound engineers. As Cliff was an unproven artist in the early days and as most pop singles at that time were released in mono format only, all of Cliff's very early material from 1958 was recorded for mono only on one-track recorders. This includes not only the singles of the period, but the Oh Boy! album tracks as well.
Any stereo versions of songs from this period are not true stereo, but mock stereo-- a technique to separate the mono track into two separate slightly out of phase tracks, giving the song a fuller sound and slight echo effect. The technique of creating mock stereo tracks was started in the early 1960s, came to prominence in the early 1970s, but had fallen out of favor by the mid-1980s and is today generally considered an undesirable format.
As Cliff's success grew, the decision was made to invest in two-track recordings for his full length albums. Thus beginning in 1959 until June of 1960, the Cliff, Cliff Sings and Me And My Shadows LPs and a handful of other non-LP songs (including, but not limited to the Expresso Bongo EP tracks and Willie And The Hand Jive) were recorded simultaneously on one- and two-track machines. As a result, many of these songs have interesting variations. Certainly on the very early material, such as the Cliff album that was recorded using this technique, the use of separate machines is evident when comparing the mono and stereo recordings side by side. The songs-- although the same take-- often go in and out of phase with each other as the result of the tape machines running at slightly different and variable speeds. Later in 1959 and early 1960, this tape drift is not as obvious (if not missing altogether), but as there were separate one-track and two-track recording engineers and there are a lot of song variations, it is presumed that the songs were still recorded separately, although there is not solid proof of this.
This technique of recording simultaneously on both machines has also led to many interesting variations. Songs such as Mean Woman Blues and She's Gone have different fade-outs. Many songs, such as The Snake And The Bookworm, I Gotta Know and I'm Willing To Learn are completely different takes. It's not always clear why different takes were chosen for the stereo and mono releases of these songs, but it is presumed that the recording of one or the other was deemed inadequate due to a recording error and an alternate take was used. And in a few cases, the band can be heard experimenting with recording directly to the one-track master recording, such as the harmony vocals added to the intro of Tell Me and an added guitar track to I Love You So.
During this same period of 1959 to June of 1960, songs intended for single release were recorded to one-track machines only. Thus songs such as Please Don't Tease, Fall In Love With You and Dynamite are mono only. The songs recorded for the Serious Charge EP, including the #1 hit Living Doll were only recorded on one-track as well. The few exceptions include Never Mind, Don't Be Mad At Me, Willie And The Hand Jive and Nine Times Out Of Ten, which were recorded on two-track machines and it's probably the case that they were simultaneously recorded in mono, but that remains unclear because no obvious differences can be determined (with the exception of Willie And The Hand Jive which is addressed below). It is also known that during this period, recording of mono tracks were created with a two-track recorder, where layers were added to a song (such as strings or backing vocals) by bouncing the performances back and forth on the two tracks. Perhaps these songs were recorded using this technique and were an experiment in two-track recording. Or perhaps they were not originally meant for singles so were recorded on a one-track machine. Whatever the reason they were recorded on two-track machines during this period remains a mystery.
The curiosities of the Willie And The Hand Jive releases bear special attention as it gives some insight into how it was recorded. The original single release was in mono only. The first appearance of a stereo recording, although missing the backing vocals, surfaced on the 1987 Rock On With Cliff Richard compilation (Music For Pleasure MFP6005). This proves that the song was recorded on a multi-track machine. It is the same basic take as the mono version, so they were probably recorded simultaneously on separate machines. However, only the mono version of the song features The Shadows on backing vocals. It is likely that the backing vocals were recorded directly to the mono master tape, which is why a stereo version with the backing vocals does not exist. A mock stereo version of the mono version of Willie And The Hand Jive (with backing vocals) was created in the 1970s for a Reader's Digest compilation and this is where things get complicated. Since the mock stereo technique was falling out of favor in the 1980s, the 1980 Rock On With Cliff compilation (Music For Pleasure MFP50467) made the error of taking the mock stereo version and mixing it down to mono. This mock-stereo-mixed-to-mono has a strange sound and is an altogether unpleasant experience. All releases of the song since 1980 have been either this mock-stereo-mixed-to-mono or the undubbed stereo version. No true stereo version of the song with backing vocals has ever been released. And the true original mono version with backing vocals has never been released since the original 1960 single!
Also of note is that the 1960 sessions on March 25 and March 30 appear to be mixed, with some songs being recorded (or having survived) on one-track machines only and some being recorded on both one- and two-track machines. The March 25 session produced a mono only version of Please Don't Tease and a stereo (and possibly mono) version of Tell Me. The March 30 session produced an alternate intro for Tell Me that was edited onto the earlier recorded two-track recording and yielding the final one-track recording of the song. Several other songs were recorded at the March 30 session that were recorded in both formats, but the alternate intro version of Tell Me has only ever appeared in mono from this session. It is also known that during this period, the recording of mono tracks were created by bouncing overdubs back and forth on a two-track machine, so it is likely that the curiosities from these dates is a result of this.
Beginning in July of 1960, Cliff began recording exclusively on two-track recorders and all mono masters were mixed from the two-track recording. Thus there are very few variations between the mono and stereo versions of the songs recorded after this point (other than the mix). The only known exception to this is the two foreign release single songs, Bin Verliebt and Die Stimme Der Liebe, which were recorded on one-track machines only. These were probably recorded only on one-track machines because they were done fast and cheap for the foreign market and there is a possibility that the backing tracks were recorded without The Shadows in Germany (despite what the Lewry and Goodall publications claim) and Cliff simply did a vocal overdub directly to the one-track master.
Again, the evidence for this is taken from information provided in the books The Complete Recordings Sessions and The Complete Chronicles and observations of the released songs. It is very possible (and likely) that some of this is not 100% correct. Any corrections or comments are welcome.
Below is another graphic that examines each session chronologically and addresses the songs that were recorded and their releases. This was also used to support the above statements.
| Session Date | Song Title | Recording Format | Session Engineer | Original Release | Notes |
|---|---|---|---|---|---|
| July 1958 | Breathless | One-track | Unknown | The Rock 'N' Roll Years 1958-1963 CD album (1997) | |
| July 1958 | Lawdy Miss Clawdy | One-track | Unknown | The Rock 'N' Roll Years 1958-1963 CD album (1997) | |
| July 24 1958 | Schoolboy Crush | One-track | Malcolm Addey | Schoolboy Crush 7" single (1958 August 29) | |
| July 24 1958 | Move It | One-track | Malcolm Addey | Schoolboy Crush 7" single (1958 August 29) | |
| October 3 1958 | High Class Baby | One-track | Malcolm Addey | High Class Baby 7" single (1958 November) | |
| October 3 1958 | My Feet Hit The Ground | One-track | Malcolm Addey | High Class Baby 7" single (1958 November) | |
| October 3 1958 | Don't Bug Me Baby | One-track | Malcolm Addey | The Rock 'N' Roll Years 1958-1963 CD album (1997) | |
| October 21 1958 | TV Hop | One-track | Malcolm Addey (vocal) | Oh Boy! LP album (1958 December) | |
| October 21 1958 | Rockin' Robin | One-track | Malcolm Addey (vocal) | Oh Boy! LP album (1958 December) | |
| October 21 1958 | High School Confidential | One-track | Malcolm Addey (vocal) | Oh Boy! LP album (1958 December) | |
| October 21 1958 | King Creole | One-track | Malcolm Addey (vocal) | Oh Boy! LP album (1958 December) | |
| October 21 1958 | I'll Try | One-track | Malcolm Addey (vocal) | Oh Boy! LP album (1958 December) | |
| October 21 1958 | Somebody Touched Me | One-track | Malcolm Addey (vocal) | Oh Boy! LP album (1958 December) | |
| November 14 1958 | Livin' Lovin' Doll | One-track | Malcolm Addey | Livin' Lovin' Doll 7" single (1959 January) | |
| November 14 1958 | Mean Streak | One-track | Malcolm Addey | Mean Streak 7" single (1959 April) | |
| November 19 1958 | Steady With You | One-track | Malcolm Addey | Livin' Lovin' Doll 7" single (1959 January) | |
| February 9 or 10 1959 | Apron Strings | One- and Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | My Babe | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | Down The Line | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | I Get The Feeling | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | Baby I Don't Care | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | Donna | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | Move It | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | Ready Teddy | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | Too Much | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | Don't Bug Me Baby | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | That'll Be The Day | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | Danny | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | Whole Lotta Shakin' | One- & Two-track | Malcolm Addey |
Cliff LP album (1959 April) [mono] Cliff No. 1 EP (1959 June) [stereo] |
|
| February 9 or 10 1959 | One Night | One- & Two-track | Malcolm Addey | The Rock 'N' Roll Years 1958-1963 CD album (1997) [mono] | |
| March 9 1959 | Never Mind | One- & Two-track | Malcolm Addey |
Mean Streak 7" single (1959 April) [mono] Rock On With Cliff Richard CD album (1987) [stereo] |
|
| April 28 1959 | Living Doll | One-track | Malcolm Addey | Serious Charge EP (1959 May or July) | |
| April 28 1959 | No Turning Back | One-track | Malcolm Addey | Serious Charge EP (1959 May or July) | |
| April 28 1959 | Mad About You | One-track | Malcolm Addey | Serious Charge EP (1959 May or July) | |
| May 25 1959 | Apron Strings | One-track | Malcolm Addey | Living Doll 7" single (1959 July) | |
| July 25 1959 | Travellin' Light | One-track | Malcolm Addey | Travellin' Light 7" single (1959 October) | |
| July 25 1959 | Dynamite (Alternate) | One-track | Malcolm Addey | Travellin' Light Holland 7" single (1959) | |
| July 26 1959 | The Snake And The Bookworm | One- & Two-track | Malcolm Addey & David Lloyd (mono) / Peter Bown & Stuart Eltham (stereo) | Cliff Sings LP album (1959 November) [mono] | |
| July 26 1959 | I Gotta Know | One- & Two-track | Malcolm Addey & David Lloyd (mono) / Peter Bown & Stuart Eltham (stereo) | Cliff Sings LP album (1959 November) [mono] | |
| September 6 1959 | Dynamite | One-track | Malcolm Addey & Alan Kane (mono) / Peter Bown & Norman Smith (stereo) | Travellin' Light 7" single (1959 October) | 1 |
| September 6 1959 | Here Comes Summer | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Peter Bown & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 1 EP (1960 February) [stereo] |
|
| September 6 1959 | Twenty Flight Rock | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Peter Bown & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 2 EP (1960 March) [stereo] |
|
| September 6 1959 | Snake And The Bookworm (Alternate) | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Peter Bown & Norman Smith (stereo) | Cliff Sings No. 1 EP (1960 February) [stereo] | |
| September 6 1959 | I Gotta Know | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Peter Bown & Norman Smith (stereo) | Cliff Sings No. 1 EP (1960 February) [stereo] | |
| September 6 1959 | Choppin' 'N' Changin' | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Peter Bown & Norman Smith (stereo) | Me And My Shadows LP album (1960 October 7 — UK — Columbia 33SX 1261) [mono] | |
| September 7 1959 | Blue Suede Shoes | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 1 EP (1960 February) [stereo] |
|
| September 7 1959 | Pointed Toe Shoes | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 2 EP (1960 March) [stereo] |
|
| September 7 1959 | Mean Woman Blues | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 2 EP (1960 March) [stereo] |
|
| September 8 1959 | I'm Walkin' | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 2 EP (1960 March) [stereo] |
|
| September 8 1959 | Love | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Expresso Bongo EP (1960 January) [mono] Expresso Bongo EP (1960 January) [stereo] |
|
| September 8 1959 | A Voice In The Wilderness (EP Version) | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Expresso Bongo EP (1960 January) [mono] Expresso Bongo EP (1960 January) [stereo] |
|
| September 9 1959 | I'll String Along With You | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 3 EP (1960 April) [stereo] |
|
| September 9 1959 | Little Things Mean A Lot | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 4 EP (1960 September) [stereo] |
|
| September 9 1959 | Somewhere Along The Way | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 4 EP (1960 September) [stereo] |
|
| September 9 1959 | That's My Desire | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 4 EP (1960 September) [stereo] |
|
| September 10 1959 | Embraceable You | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 3 EP (1960 April) [stereo] |
|
| September 10 1959 | As Time Goes By | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 3 EP (1960 April) [stereo] |
|
| September 10 1959 | The Touch Of Your Lips | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 3 EP (1960 April) [stereo] |
|
| September 10 1959 | I Don't Know Why | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Norman Smith (stereo) |
Cliff Sings LP album (1959 November) [mono] Cliff Sings No. 4 EP (1960 September) [stereo] |
|
| October 19 1959 | The Shrine On The Second Floor | One- & Two-track | Malcolm Addey (mono) / Stuart Eltham & Alan Kane (stereo) |
Expresso Bongo EP (1960 January) [mono] Expresso Bongo EP (1960 January) [stereo] |
|
| November 19 1959 | Fall In Love With You | One-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Peter Bown (stereo) | Fall In Love With You 7" single (1960 March) [mono] | 2 |
| November 19 1959 | Don't Be Mad At Me | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Peter Bown (stereo) |
A Voice In The Wilderness 7" single (1960 January) [mono] The Rock 'N' Roll Years 1958-1963 CD album (1997 June) [stereo] |
|
| November 19 1959 | Willie And The Hand Jive | One- & Two-track | Malcolm Addey & Alan Kane (mono) / Stuart Eltham & Peter Bown (stereo) |
Fall In Love With You 7" single (1960 March) [mono] Rock On With Cliff Richard CD album (1987) [stereo] |
3 |
| December 20 1959 | A Voice In The Wilderness | One-track | Malcolm Addey | A Voice In The Wilderness 7" single (1960 January) [mono] | |
| March 15 1960 | Nine Times Out Of Ten | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Nine Times Out Of Ten 7" single (1960 September) [mono] Rock On With Cliff Richard CD album (1987) [stereo] |
|
| March 15 1960 | I Don't Know | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| March 16 1960 | Thinking Of Our Love | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Nine Times Out Of Ten 7" single (1960 September) [mono] The Rock 'N' Roll Years 1958-1963 CD album (1997 June) [stereo] |
|
| March 16 1960 | Evergreen Tree | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| March 16 1960 | Left Out Again | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| March 16 1960 | You're Just The One To Do It | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| March 17 1960 | She's Gone | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| March 17 1960 | Gee Whizz It's You | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| March 17 1960 | I Love You So | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| March 25 1960 | Please Don't Tease | One-track | Malcolm Addey | Please Don't Tease 7" single (1960 June) [mono] | 4 |
| March 25 1960 | Tell Me (basic track) | One- & Two-track | Malcolm Addey | Me And My Shadows LP album (1960 October) [stereo] | |
| March 30 1960 | Tell Me (acapella intro) | One-track | Malcolm Addey & Norman Smith (mono) | Me And My Shadows LP album (1960 October) [mono] | 5 |
| March 30 1960 | Where Is My Heart | One-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) | Please Don't Tease 7" single (1960 June) [mono] | 6 |
| March 30 1960 | I'm Gonna Get You | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| March 30 1960 | I Cannot Find A True Love | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| March 30 1960 | Lamp Of Love | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| April 1 1960 | You And I | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| April 1 1960 | Working After School | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| April 1 1960 | I Live For You | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) |
Me And My Shadows LP album (1960 October) [mono] Me And My Shadows LP album (1960 October) [stereo] |
|
| June 24 1960 | We Have It Made | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) | Me And My Shadows LP album (1960 October) [stereo] | 7 |
| June 24 1960 | I'm Willing To Learn | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) | Me And My Shadows LP album (1960 October) [stereo] | 7 |
| June 24 1960 | Choppin' 'N' Changin' | One- & Two-track | Malcolm Addey & Norman Smith (mono) / Peter Bown & Alan Kane (stereo) | Me And My Shadows LP album (1960 October) [stereo] | 7 |
| July 26 1960 | Memories Linger On | Two-track | Malcolm Addey & Norman Smith |
Listen To Cliff! LP album (1961 May) [mono] Listen To Cliff! LP album (1961 May) [stereo] |
|
| July 26 1960 | It's You | Two-track | Malcolm Addey & Norman Smith |
Listen To Cliff! LP album (1961 May) [mono] Listen To Cliff! LP album (1961 May) [stereo] |
|
| September 9 1960 | I Love You | Two-track | Malcolm Addey & David Lloyd |
I Love You 7" single (1960 December) [mono] Cliff's Hit Album LP album (1971 August) [stereo] |
|
| September 9 1960 | 'D' In Love | Two-track | Malcolm Addey & David Lloyd |
I Love You 7" single (1960 December) [mono] Rock On With Cliff Richard CD album (1987) [stereo] |
|
| September 9 1960 | Catch Me | Two-track | Malcolm Addey & David Lloyd |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| September 20 1960 | Now's The Time To Fall In Love | Two-track | Malcolm Addey |
A Girl Like You 7" single (1961 June) [mono] The Rock 'N' Roll Years 1958-1963 CD album (1997 June) [stereo] |
|
| September 27 1960 | True Love Will Come To You (Alternate) | Two-track | Malcolm Addey | Listen To Cliff! LP album (1961 May) [stereo] | 8 |
| October 13 1960 | True Love Will Come To You | Two-track | Malcolm Addey | Listen To Cliff! LP album (1961 May) [mono] | |
| October 13 1960 | First Lesson In Love | Two-track | Malcolm Addey |
Listen To Cliff! LP album (1961 May) [mono] Listen To Cliff! LP album (1961 May) [stereo] |
|
| October 13 1960 | I Want You To Know (Alternate) | Two-track | Malcolm Addey |
Listen To Cliff! South Africa LP album (1961) [mono] Listen To Cliff! LP album (1961 May) [stereo] |
9 |
| November 17 1960 | Blue Moon | Two-track | Malcolm Addey & Norman Smith |
Listen To Cliff! LP album (1961 May) [mono] Listen To Cliff! LP album (1961 May) [stereo] |
|
| November 17 1960 | Idle Gossip | Two-track | Malcolm Addey & Norman Smith |
Listen To Cliff! LP album (1961 May) [mono] Listen To Cliff! LP album (1961 May) [stereo] |
|
| November 17 1960 | We Kiss In A Shadow | Two-track | Malcolm Addey & Norman Smith | Listen To Cliff! LP album (1961 May) [mono] | 10 |
| December 5 1960 | Bin Verliebt | One-track | Malcolm Addey | Bin Verliebt 7" single (1961 January) [mono] | 11 |
| December 5 1960 | Die Stimme Der Liebe | One-track | Malcolm Addey | Bin Verliebt 7" single (1961 January) [mono] | 11 |
| January 11 1961 | Almost Like Being In Love | Two-track | Malcolm Addey & David Lloyd |
Listen To Cliff! LP album (1961 May) [mono] Listen To Cliff! LP album (1961 May) [stereo] |
|
| January 28 1961 | Theme For A Dream | Two-track | Malcolm Addey |
Theme For A Dream 7" single (1961 February) [mono] Cliff's Hit Album LP album (1971 August) [stereo] |
|
| January 28 1961 | Mumblin' Mosie | Two-track | Malcolm Addey |
Theme For A Dream 7" single (1961 February) [mono] The Rock 'N' Roll Years 1958-1963 CD album (1997 June) [stereo] |
|
| January 28 1961 | A Girl Like You | Two-track | Malcolm Addey |
A Girl Like You 7" single (1961 June) [mono] Cliff's Hit Album LP album (1971 August) [stereo] |
|
| January 28 1961 | Tough Enough | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| January 30 1961 | How Wonderful To Know | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| January 30 1961 | Fifty Tears For Every Kiss | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| January 30 1961 | Outsider | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| January 30 1961 | To Prove My Love For You | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| January 30 1961 | A Mightly Lonely Man | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| March 4 1961 | What'd I Say | Two-track | Malcolm Addey & David Lloyd |
Listen To Cliff! LP album (1961 May) [mono] Listen To Cliff! LP album (1961 May) [stereo] |
|
| March 4 1961 | Unchained Melody | Two-track | Malcolm Addey & David Lloyd |
Listen To Cliff! LP album (1961 May) [mono] Listen To Cliff! LP album (1961 May) [stereo] |
|
| March 4 1961 | I Want You To Know | Two-track | Malcolm Addey & David Lloyd | 21 Today LP album (1961 October) [mono] | |
| April 10 1961 | Schön Wie Ein Traum | Two-track | Malcolm Addey |
Schön Wie Ein Traum 7" single (1961 June) [mono] On The Continent CD album (1997 November) [stereo] |
|
| April 10 1961 | Vreneli | Two-track | Malcolm Addey | Schön Wie Ein Traum 7" single (1961 June) [mono] | 12 |
| April 19 1961 | Poor Boy | Two-track | Malcolm Addey & Norman Smith |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| April 19 1961 | My Blue Heaven | Two-track | Malcolm Addey & Norman Smith |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| July 4 1961 | Forty Days | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| July 4 1961 | The Night Is So Lonely | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| July 4 1961 | Tea For Two | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| July 11 1961 | Y'Arriva | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| July 11 1961 | Without You | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| July 11 1961 | Shame On You | Two-track | Malcolm Addey |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| July 28 1961 | Happy Birthday To You | Two-track | Malcolm Addey & Norman Smith |
21 Today LP album (1961 October) [mono] 21 Today LP album (1961 October) [stereo] |
|
| July 28 1961 | We Say Yeah | Two-track | Malcolm Addey & Norman Smith |
The Young Ones LP album (1961 December) [mono] The Young Ones LP album (1961 December) [stereo] |
|
| 1 Although two-track recordings were done at the September 6, 1959 session, the recording of Dynamite from this session has only ever been released in mono. It is assumed that as this song was intended to be a single only, it was only recorded using a one-track machine. | |||||
| 2 Although two-track recordings were done at the November 19, 1959 session, the recording of Fall In Love With You from this session has only ever been released in mono and mock stereo. It is assumed that as this song was intended to be a single only, it was only recorded using a one-track machine. | |||||
| 3 A stereo version of Willie And The Hand Jive with backing vocals has never been released and probably does not exist. From evidence of the released material, it appears that the backing vocals were mixed directly to the one-track tape for mono release, but not the two-track recording. | |||||
| 4 As a two-track recording of Tell Me was done at the March 25, 1960 session and stereo engineers were used, it may be the case the Please Don't Tease was also recorded in on a two-track machine, but has not yet been mixed and released. It may also be the case that as this song was recorded with the expectation that it would be a single release only, it was only recorded on a one-track machine. It is assumed that it was only recorded on a one-track machine. | |||||
| 5 The acapella intro for Tell Me was likely recorded direct to the one-track mono master, thus a stereo version with the acapella intro does not exist. | |||||
| 6 Although two-track recordings were done at the March 30, 1960 session, the recording of Where Is My Heart from this session has only ever been released in mono. It is assumed that as this song was intended to be a single only, it was only recorded using a one-track machine. | |||||
| 7 Documentation indicates that songs from the June 24, 1960 were recorded on both one- and two-track machines. However no mono recordings from this session have been released. Could these be the first true stereo recordings? The mono and stereo releases of We Have It Made and I'm Willing To Learn are different takes and no documentation exists that indicates when the mono takes were recorded. They may have been from the same session, but that is uncertain. Also, the released mono recording of Choppin' 'N' Changin' is from an earlier session, so it is also uncertain if a one-track recording of the song was done at this session. | |||||
| 8 The September 27, 1960 session produced an alternate take of True Love Will Come To You which has only ever been released in stereo format. As no mono mix of this take has been released, it is assumed that the song was only recorded in on a two-track machine and a mono mix was never done for this recording. | |||||
| 9 Although the mono version of I Want You To Know from the March 4, 1961 recording session was the preferred version for this song, the mono version of this song from the October 13, 1960 session slipped out on the South African release of the Listen To Cliff! album, demonstrating that the song was mixed to mono from the two-track recording. | |||||
| 10 The stereo version of We Kiss In A Shadow is a previously undocumented alternate version, so the record date of that version is uncertain. It is assumed that it is from the same session. | |||||
| 11 Although the record credits The Shadows as playing on Bin Verliebt and Die Stimme Der Liebe, it appears from audio evidence that they were not really on the track and all instruments are by Berlipp's Band. It is always possible (and somewhat likely) that Cliff's German vocals and the Berlipp's Band instrumentation were recorded separately (possibly on a multi-track) and mixed together straight to a one-track mono master. | |||||
| 12 The recording of Schön Wie Ein Traum from this session has been released in stereo, demonstrating that two-track recording was performed during the April 10, 1960 session. However, a stereo version of Vreneli has never been released so it is uncertain if it was ever truly recorded on two-track. It is also possible that the April 10, 1960 session refers only to Cliff's vocal take and the instrumental parts were recorded on a separate undocumented date. | |||||
Although it is difficult to pinpoint when Cliff started using multi-track recorders with more than two-tracks, it is an educated guess that their use started with the April 4, 1962 session. This can be verified by the usage of split stereo. On the two-track recordings the instruments are spread across the two speakers, but when multi-track exceeding two-tracks was introduced the basic rhythm track was recorded all on one channel of the multi-track machine and audio evidence indicates the first recordings that have the rhythm section on one side and in some cases Cliff's vocal on the other side are the tracks recorded April 4, 1962, Walking The Blues and For Me, For You. On some of the remastered CDs, these wide splits have been brought more to the center but on the original vinyls the splits are very wide.
Also, as stated above, there are a handful of songs that were only ever recorded on one-track machines and were mixed to mock stereo at some point. The use of mock stereo is a strong indicator that these songs were never recorded on two-tracks or the two-track recordings were destroyed with the exception of Nine Times Out Of Ten which saw eventual release of an original stereo recording. These songs are:
| Move It |
| High Class Baby |
| Living Doll |
| Travellin' Light |
| Fall In Love With You |
| Willie And The Hand Jive with backing vocals |
| Please Don't Tease |
| Nine Times Out Of Ten |
| The Young Ones with strings |
More information on actual release variations between mono and stereo will be addressed at a later date.
Robert Porter
May 2008